Tag Archive for 'new-wave-tuesday'

New Wave Tuesday: Electric Light Orchestra’s ‘Time’

ELO-Time New Wave Tuesday: Electric Light Orchestras Time

Fans of Midnight Juggernauts and Cut Copy’s disco-rock beats, sweeping synths, Beatle-esque harmonies, vocoders and laser beams: we need to talk about Electric Light Orchestra. And not the “Evil Woman” or even “Don’t Bring Me Down” ELO, but specifically their hugely influential and yet under-the-radar 1981 synth-heavy experimental space-disco/rock concept album, “Time.” So I asked Ken Robin, a S.F.-based attorney, to talk about it, because he is my dad. He wrote this:

“When I first heard of Electronic Light Orchestra in the ‘70s, I immediately pictured polka playing Lawrence Welk and his Champagne Music Makers. What else was one to think of in the early to mid 70’s when one’s idea of rock was anything but an “orchestra”? The whole idea of what became known as “symphonic rock” was not just a little bit off-putting to those who thought of the Beatles and Stones as something quite different from their parents’ music. But there was simply no denying the infectious nature of ELO and the genius that was Jeff Lynne.

ELO Live

So what was one to make of “Time” when it came out in ’81? Certainly this was a ”concept album” that had some “central theme” — but what was it? Space travel? The world changing so fast it was becoming unrecognizable? The dark side of technological advances? And was it more silly than academically stimulating in its presentation? I saw ELO perform the album live in the Oakland Arena when it first came out and it started with a midget sized robot doing the Prologue on stage as the band itself arose from under the stage in a huge plastic bubble. But we in the audience did not laugh or jeer. We were astounded. We cheered and yelled out in joy. Does this mean we were naïve? Unhip? I don’t think so. Nonetheless the passage of a quarter century forces one to pause and ask: Was it silly?


This video for Electric Light Orchestra’s “Twilight” conveys a bit of what it must have been like to see that laser-riffic 1981 show - shades of Daft Punk at Coachella, anyone?

Most people would likely include very few “Time” songs on their “ELO’s Greatest Hits” list, other than “Hold on Tight”. So what makes the album stay with me? Maybe it’s just a recognition that the ‘80s were here and we were not who we had been in the 50’s and 60’s and 70’s and that this new 80’s decade, which would bring us PCs and glam rock and the rest of its “look at me” cultural icons, had changed us forever. In a wistful look at the situation, Jeff Lynne invited us to see a future of IBM computer robot lovers (“Yours Truly, 2095″) and other technological tools for escapists (“Twilight” and “Ticket to the Moon”) and to try to envision that world with both its possible benefits (“21st Century Man”, “Here is the News”, “The Light Goes Down”) and detriments (“Rain Is Falling” and the probing question of “The Way Life’s Meant to Be”).

“Time” didn’t prevent war or ensure justice but it was a decent and memorable effort, all the same.

Thanks Dad!

Fans of Midnight Juggernauts’ “Into The Galaxy” should definitely check out “Here is The News”:


MP3:  Electric Light Orchestra - Here is the News

My favorite song from “Time” is the opening track “Twilight”, with its huge, simple synth line, massive, bombastic drums and crazy falsetto harmonies:


MP3:  Electric Light Orchestra - Twilight

This next one is for all you vocoder lovers - the story of a man in love with his new IBM PC:


MP3:  Electric Light Orchestra - Yours Truly, 2095

The album’s biggest hit was essentially a 50’s blues/rock song with updated production (but then again, that pretty much describes The Ramones entire catalog). This song was also used in a bizarre series of jittery commercials in the 80’s, the theme of which was “Be a Coffee Achiever!”


Electric Light Orchestra - Hold on Tight

Voila the video for “Here is The News”, in all its 1981 lo-tech glory:

Your can purchase ELO’s ‘Time’ from Amazon New Wave Tuesday: Electric Light Orchestras Time and mine this classic for all it’s worth.

xx,
Baron von Luxxury

bigstereo-syn New Wave Tuesday: Electric Light Orchestras Time
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New Wave Tuesday: Hybrid Kids (Morgan Fisher)

hybrid_kids New Wave Tuesday: Hybrid Kids (Morgan Fisher)

Hybrids Kids was a ‘compilation’ released on Cherry Red Records in 1979. It was supposedly a collection of songs made by a number of bands from Peabody, Kansas. However, In actuality all the songs on the album were created by British keyboardist Morgan Fisher, who was best known for his time spent in glam rock band Mott The Hoople.

“Recorded while Fisher was still in Mott, Hybrid Kids is an affectionate demolition job of pop classics”. And that it is! Fantastically experiment and almost whimsical covers of seminal pop songs. Fisher casts aside any formula or structure the original tracks were supposed to contain with wanton abandon, leaving only his musical musings intact.

I stumbled on these ‘Hybrid Kids’ tracks many a years ago and had no clue that these twelve songs were not made some angst filled teenage Kansans and I’m not sure which story is more incredible, the fallacy or truth.


MP3:  Hybrid Kids - British Standard Unit - D’ya Think I’m Sexy


MP3:  Hybrid Kids - R.W. Atom - You’ve Lost That Loving Feeling

From 1968 to 1970 Morgan Fisher played with pop band The Love Affair. Between 1972 and 1973 he formed the progressive rock band called Morgan. From 1973 to 1976 he joined Mott the Hoople, who were initially produced by David Bowie. In 1980 Fisher conceived and produced the unique Miniatures album (51 one-minute tracks by various popular bands of the time). In addition he played with Queen on their 1982 tour of Europe.

Fischer now resides in Japan and works as a keyboardist, producer, composer, film scorer, and photographer.

In 1997 ‘Hybrid Kids’ was re-released on CD and sometimes you can find a copy on Amazon New Wave Tuesday: Hybrid Kids (Morgan Fisher), but right now there aren’t any available. But that’s okay, because you can find the original vinyl on gemm. One in Very Good condition goes for $136.00! Not bad for an album that was made on a 4 Track for 25 pounds.

bigstereo-syn New Wave Tuesday: Hybrid Kids (Morgan Fisher)
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New Wave Tuesday: Propaganda

propaganda_band New Wave Tuesday: Propaganda

Hi, I’m Baron von Luxxury. I’m gonna be like Joan Rivers to Disaster’s Johnny Carson and do the “New Wave Tuesday” column every other week, which will be syndicated on The Workout, MissingToof and BigStereo. Try all three!

Dusseldorf’s Propaganda is probably my favorite band from the 80’s. Sounding a bit like a Nico-fronted Kraftwerk in an Autobahn collision with ABBA, they created a nearly perfect blend of synthpop, disco and
sturm und drang. Their dark, robotic songs were given a larger than life sheen thanks to the lush, wittily bombastic production of dark 80’s pop master Trevor Horn.

Propaganda hit the UK top 40 with their first single “Dr. Mabuse” in early 1984, but it took another year to follow up with their debut album, 1985’s “A Secret Wish.” While at times seemingly Fairlighted within an inch of its life by Horn and his crack team of session musicians (including Japan’s David Sylvian, Heaven 17’s Glenn Gregory, and Steve Howe from Yes!), the songs were terrific, the drama heavy, and oh the German-ness! So much German-ness! Singer Claudia Brucken was hot and her vocals were hauntingly beautiful. And the videos? A classic mid-80s stew of WTF and OMFG.

“Secret Wish” was the only album Propaganda made with their original lineup, though there were a slew of remixes and a handful of follow ups with various replacement musicians. What happened? Depends on who you ask, of course, but it seems like the fact that Brucken was shtupping the label head didn’t go over too well with her band mates. But given the dramatic music they made, we wouldn’t have it any other way.

The first song, “Frozen Faces”, is my absolute fave Propaganda track. The synths that come in at 1:58 always gives me chills. There’s a 10 minute re-edit called “Echo of Frozen Faces” on the album Outside World (available on Amazon New Wave Tuesday: Propaganda) which is truly sublime, it even has a killer eat-yr-heart-out-Oizo sax break!


MP3:  Propaganda - Frozen Faces

“P-Machinery” is another gem of a song, and this megamix is nine minutes and 33 seconds of somber, pompous slow disco. There’s even a freakout guitar solo in the middle - someone needs to bring back wankin’ geetars back to the dance floor!


MP3:  Propaganda - P-Machinery (Beta Mix)

And appropriately enough given the Nico-ness of it all, Propaganda’s Velvet Underground cover is pretty awesome too.


MP3:  Propaganda - Femme Fatale

Propaganda are highly recommended for fans of Depeche Mode, Heaven 17, Yaz and Frankie Goes to Hollywood.

Buy Propaganda albums at Amazon.com New Wave Tuesday: Propaganda.
Propaganda ’space (fan site)

xx + ttfn,
Baron von Luxxury

bigstereo-syn New Wave Tuesday: Propaganda
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New Wave Tuesday: The B-52’s

b52s New Wave Tuesday: The B-52s

The B-52’s formed in Athens Georgia 1976 after a drunken night at a Chinese restaurant. The name comes from the bouffant wigs that are a part of the band’s distinctive look, and not the airplane of the same name contrary to popular belief. Their quirky take on the emerging new wave and unusual guitar tunings set them apart from the pack.

The band gained popularity pretty much from it’s inception, but couldn’t break into the US top 40 charts until their 1989 release ‘Cosmic Thing’ which contained the infamous track ‘Love Shack’ which landed at number 3 on the billboard charts. A few months later in early 1990 ‘Roam’ which was also on ‘Cosmic Thing’ reached number 3 on the US charts as well.

Though the band had been around for more than a decade, 1989 - 1990 was manys first introduction to the band, which is a shame because their earlier material didn’t get much radio play in the U.S. Although Australia had been big supports of the band pretty much from the beginning. Here’s a few of my favorite cuts from the B-52’s.


MP3:  The B-52’s - Give Me Back My Man


MP3:  The B-52’s - Legal Tender


MP3:  The B-52’s - Private Idaho


MP3:  The B-52’s - Summer Of Love


MP3:  The B-52’s - 52 Girls
Listen to the intro on this then listen to DJ Shadows ‘Six Days’ (Soulwax remix)

Electroclash artists Chicks on Speed recognize the importance of B-52’s and in 2000 the released a collection of B-52’s covers on an album titled Chix-52. Their rendition of ‘Give Me Back My Man’ is excellent.


MP3:  Chicks On Speed - Give Me Back My Man

The B-52’s released a collection of hits from the past on a cd titled ‘Time Capsule: Songs For A Future Generation’ in 1998. That can be picked up here New Wave Tuesday: The B-52s. If you hit up your local record store you can usually find used 12 inches for a few bucks. I saw ‘Party Mix’ and Whammy at the On The Corner Music on my last visit, all you non-locals hit up ebay.

bigstereo-syn New Wave Tuesday: The B-52s



New Wave Tuesday: Pulsallama

pulsallama New Wave Tuesday: Pulsallama

Pulsallama was a short-lived, yet legendary, 12 piece all-girl percussion band who ruled Manhattan nightlife for a brief period in 1981 and 1982. Their sound has been described as “13 girls fighting over a cowbell.” The band often fought with each other verbally and physically in the studio and at shows. The groups rowdy behavior, theatrical stage antics, props and costumes and awkward time signatures were what the New York underground loved most about them.

In 1982 Pulsallama opened for The Clash, where an adoring audience of 6000 showered them with coins and cups of beer. Pulsallama’s single, ‘Devil Lives in My Husband’s Body’ was released on Y Records and was distributed by Rough Trade & became a minor college radio and cult hit.


MP3:  Pulsallama - Devil Lives In My Husbands Body [Recommended]


MP3:  Pulsallama - On The Rag


MP3:  Pulsallama - Ungawa Part 2


MP3:  Pulsallama - Oui Oui


MP3:  Pulsallama - May

Pulsallama’s record company ran out of funds during the last stages of recording their first full length and the band called it quits shortly thereafter. Jean Caffeine, one of the founding members went on to form a new group, Clambake.

The various 7 inces and singles that Pulsalamma did release are often on gemm. I got my ‘Devil Lives In My Husbands Body’ 7 inch from ebay a few years back and there actually is another copy on there right now going for $6.50.

bigstereo-syn New Wave Tuesday: Pulsallama



New Wave Tuesday: Blitz - Second Empire Justice

Blitz - Second Empire Justice

Greetings. This is my first post, and I thought I’d start things off with one of my favorite hidden gems. Some of you may recognize the band Blitz as one of the most well known old school Oi/Punk bands. However not many people know that in 1983 they had a bit of a personnel split, with half of the band continuing on in the bland Punk style, while the other half released this beautiful monster of a Post-Punk album.

Second Empire Justice is what happens when a good melodic Punk band finally gets time in a real studio, with a real producer (Chris Nagle who earlier assisted the legendary Martin Hannet on a number of Joy Division and New Order albums).

I could go on and on about this album, but instead I’ll let you take a listen and decide for yourselves. This was one of the singles from this LP, and it is also one of my favorite Post-Punk songs ever recorded.


MP3: Blitz - Solar

Here’s a couple more as well.


MP3: Blitz - Flowers and Fire


MP3: Blitz - Underground

There isn’t a whole lot of info on this album out on the net, but you can still pick up a copy of the album through Amazon, and Cherry Red Records.

bigstereo-syn New Wave Tuesday: Blitz - Second Empire Justice



New Wave Tuesday: Essential Logic

essentiallogic New Wave Tuesday: Essential Logic

Essential Logic was a post-punk band formed in 1978. The group was fronted & created by then 16 year old Lora Logic (real name Susan Whitby) who previously played saxophone in the X-Ray Spex. The Spex and Poly Styrene played a seminal part of the punk/new wave movement.

Essential Logic recorded & self released their first 7″ before signing to Virgin records in 1979 and later to Rough Trade. The act disbanded in 1980 but Lora was still musically active, lending her shrieking sax skills on studio recordings for the The Swell Maps and The Raincoats. Lora also released two solo albums and soon after quit recording and joined the Hare Krishna movement as her friend and former bandmate Poly Styrene had done earlier.

In 1995 Lora took part in a short lived reincarnation of X-Ray Spex, sans Poly & in 2001 released an EP of new material with Gary Valentine of Blondie on her roster.


MP3:  Essential Logic - Wonderful Offer


MP3:  Wonderful Offer - Aerosol Burns


MP3:  Essential Logic - Wake Up

Lora’s part in the X-Ray Spex ‘Oh Bondage Up yours’ & Essential Logic’s feminist forward lyrics made her well known amongst the feminist movement & in 2003 riot grrl heavy record label Kill Rock Stars released a collection of Essential Logic songs entitled ‘Fanfare in the Garden’ which can be picked up from Amazon New Wave Tuesday: Essential Logic.

bigstereo-syn New Wave Tuesday: Essential Logic



New Wave Tuesday: Boytronic

boytronic New Wave Tuesday: Boytronic

Boytronic was an electro pop trio formed by accident in Hamburg, Germany in 1983. The original name of the act was Kapitän Sehnsucht (Captain Desire) and in the early days they provided the soundtrack to live sex shows at clubs in Hamburg. Eventually they recorded a demo and sent it out to record labels and were picked up by Mercury Records.

They released their debut ‘The Working Model’ but it didn’t fare to well in the charts until Kim Wilde canceled a live performance & the boys were given her slot. They performed their track ‘You’ which was the single off the album & it became an overnight success.

In 1984 they released a 12inch titled ‘Diamonds & Loving Arms’ & later that same year another 12 inch maxi titled ‘Man In A Uniform’. Being a massive Gang Of Four fan, Boytronic’s ‘Man In Uniform’ is my favorite track theirs. It is by no means a cover of GOF’s song but there are many similarities.


MP3:  Boytronic - You


MP3:  Boytronic - Man In A Uniform

All of the original members lasted until they began work on their second full length, but two couldn’t stand the pressure put on them by the label to be a super moneymaker & left the band. By 1988 all original members of Boytronic had quit & the label replaced them all & the second incarnation of Boytronic released a series of records between 1988 & 1995. All was quiet on the Boytronic front for a while, then in ‘02 one of the original members & a member from the second edition of Boytronic got together and began creating music again & still do to this day.

The last album all of the original members worked on titled ‘Continental’ goes for a 100 dollars on Gemm or you can buy a re-release import from Amazon New Wave Tuesday: Boytronic.

Check out youtube for some entertaining Boytonic videos.

bigstereo-syn New Wave Tuesday: Boytronic



New Wave Tuesday - Grauzone

grauzone New Wave Tuesday - Grauzone

Grauzone (grey zone) was a music/art project started by brothers Martin Eicher, Stephan Eicher in Switzerland circa 1978. The duo used synthesizers, light effects and super-8 film projections in their act. Publisher of punk magazine “No Fun” Urs Staiger helped Grauzone in the studio and they began recording numerous singles & in 1981 they released their first & only full length title ‘Grauzone’.


MP3:  Grauzone - Der Weg Zu Zweit


MP3:  Grauzone - Raum

Undoubtedly, the groups most known track has to be Eisbaer, which literally means Ice Bear. It reached the top ten on the German charts shortly after it’s release. Over the years the song has been sampled & covered by numerous artists.


MP3:  Grauzone - Eisbaer

In 1997 trance producer Frédéric De Backer released a tranced up version of Eisbaer under the moniker ‘Groovezone’ which quickly became a rave classic.


MP3:  Groovezone - Eisbaer

If you listen closely you can tell that Ladytron samples the song on “Fighting In Built Up Areas”.


MP3:  Ladytron - Fighting In Built Up Areas

Berlin based electro trashers Glamour To Kill cover the track.


MP3:  Glamour To Kill - Eisbaer (Grauzone cover)

& Cut Copy used the song on Fabric Live 29.

Grauzone only released their one album but they released a series of 7 inch singles over the years & in 1998 a collective called ‘Die Sunrise Tapes’ was released on Play It Again Sam records which you can get here New Wave Tuesday - Grauzone. If you want prefer vinyl gemm has the original 12 inch & various 7 inches for sale, some going for 150 plus!

EDIT: Thanks to everyone who wrote in letting me know that Grauzone was from Switzerland not Germany. My bust!

bigstereo-syn New Wave Tuesday - Grauzone



New Wave Tuesday: Honeymoon Killers

honeymoon-killers New Wave Tuesday: Honeymoon Killers

The Honeymoon Killers were a Belgian synth pop band started in 1977 by three friends. They recorded one album in 1979 but in 1980 they completed their line up with two new members & Véronique Vincent on lead vocals.

They were an irreverent bunch and had been known to throw raw meat onto their audience at live shows. Playing as many gigs as they could, the band pretty much took over the Belgian club and bar scene in ‘81. On their second album they covered Charles Trenet’s ‘Route Nationale 7′ which quickly became a radio & TV hit single in France and Belgium and the band even made the cover of NME.


MP3: Honeymoon Killers - Rush


MP3: Honeymoon Killers - Laisse Tomber Les Filles

The band split in the beginning of ‘85 right after their first Japanese tour & Yvon, one of the founding members died in 1989. Their original album ‘Les Tueurs De La Lune De Miel’ released on Crammed discs goes for 215.94 on Gemm! But I know fools ain’t rich, so eBay has your back with a copy for 9 bones.

bigstereo-syn New Wave Tuesday: Honeymoon Killers